Southern Innovator was initially launched in 2011 with the goal of inspiring others (just as we had been so inspired by the innovators we contacted and met). The magazine seeks to profile stories, trends, ideas, innovations and innovators overlooked by other media. The magazine grew from the monthly e-newsletter Development Challenges, South-South Solutions published by the United Nations Office for South-South Cooperation (UNOSSC) since 2006.
Issue 6’s theme has been decided on: it will focus on Science, Technology and Innovation. For this issue, Southern Innovator is seeking invitations from cutting-edge knowledge and science innovators in the global South to view their work. Time is tight, so don’t miss this opportunity to let the whole global South know about your work. In the past, Southern Innovator has visited green pioneers in Cuba, a smart city in South Korea and an eco-city in China.
Contact me if you wish to receive a copy/copies of the magazine for distribution. Follow @SouthSouth1.
“The e-newsletter Development Challenges, South-South Solutions proved to be a timely and prescient resource on the fast-changing global South, tracking the rise of an innovator culture driven by the rapid adoption of mobile phones and information technology …
“In 2010, work began on the development of the world’s first magazine dedicated to the 21st-century innovator culture of the global South. My goal was to create a magazine that would reach across countries and cultures, meet the UN’s standards, and inspire action. Southern Innovator was the result. Mr. [David] South played a vital role in the magazine’s development from its early conception, through its various design prototypes, to its final global launch and distribution.
“Both the e-newsletter and magazine raised the profile of South-South cooperation and have been cited by readers for inspiring innovators, academics, policy makers and development practitioners in the United Nations and beyond.
“I highly recommend Mr. [David] South as a thoughtful, insightful, analytical, creative and very amicable person who has the unique ability to not only grasp complex problems but also to formulate a vision and strategy that gets things done. … ” Cosmas Gitta, Former Assistant Director, Policy and United Nations Affairs at United Nations Office for South-South Cooperation (UNOSSC) in UNDP
“I think you [David South] and the designer [Solveig Rolfsdottir] do great work and I enjoy Southern Innovator very much!” Ines Tofalo, Programme Specialist, United Nations Office for South-South Cooperation
Ulaanbaatar (Mongolia) – Mongolian newsstands are bursting at the seams. But while the content of the country’s publications is varied, their form is not. Newsprint rules this country’s publishing industry. The few glossy magazines for sale are imports from Russia.
When the democratic revolution unleashed the tide of free expression in the early 1990s, a flood of newspapers poured forth. It made sense. The cheap-and-cheerful technology of newsprint is low-tech, accessible and inexpensive. Suddenly everyone could be a publisher.
But Mongolia’s increasingly sophisticated media landscape is about to go “glossy”. Tomorrow (September 9) sees the launch of Ger (Home), Mongolia’s first on-line magazine. A bilingual quarterly funded by the United Nations, it combines entertainment – articles on the changing sexual attitudes of young Mongolians and the country’s vibrant pop scene – with information on the work of the UN and other NGOs in Mongolia.
“We want something that will tell the stories of Mongolians and their experiences over the last eight years – both to Mongolians and to the rest of the world,” says David South, communications coordinator at the United Nations Development Programme.
This month also brings the premiere issue of Tusgal (Strike), billed as the first full-colour, general-interest magazine in the new Mongolia. Published by Mongol News Company – the privately owned media group whose stable of publications includes the daily newspaper Onoodor and The UB Post – it offers a lively mix of sport, culture and celebrity articles, also aimed primarily at the young.
These two publications are just the top of the stack. Mongolia’s two best-known printing houses, Admon and Interpress, are said to be working on titles of their own.
Mongolia’s quick-to-learn capitalists see a gap – and they want to fill it.
“In Mongolia there are many newspapers, but no world-class magazines,” says Tusgal’s editor-in-chief, Do. Tsendjav. “On the streets you can see a lot of publications that aren’t exactly magazines but you can’t call newspapers, either – newspapers that appear every 10 days or two weeks.
“We want to fill this space. We want to produce the first colour magazine that will reach world standards, something close to Time or Newsweek.”
“There’s an enormous thirst for quality journalism, quality publications that are interesting to look at, top photojournalism – all the things newspapers don’t cover,” adds South.
“We’ve seen newspapers moving to more colour, more photographs, and that shows a desire for quality.”
That quality comes at a price. Tusgal, with 70 colour pages, will sell for between Tg 1500 and Tg 2000 – not much cheaper than an American publication like Time, and too expensive for many Mongolians.
With only 1000 Internet subscribers in Mongolia, Ger has an even smaller market within the country – though South is quick to point out, the UN has established public-access Internet centres in Ulaanbaatar and several aimags.
And he says a print version is planned to follow.
“Distribution is the big problem right now,” he says.
“We have to see how we can organize distribution to reach the whole country. I know more magazines will be launched soon in Mongolia, and hope a distribution network may grow out of that.”
The editors know Mongolia’s magazine market and magazine technology are in their infancy. Although companies like Admon and Interpress get more sophisticated equipment by the month, the capacity to produce quality publications is still limited – the first issue of Tusgal has been printed outside Mongolia.
Human resources need to develop as well, Tsendjav admits.
“To produce a monthly magazine you need highly qualified journalists. We don’t have that right now. We’re still seeking them out.”
But he is confident this will change – and quickly, too, if the pace of development in the past eight years is anything to go by.
“During socialism, Mongolia had many magazines, but it all stopped after 1990,” notes Tsendjav. “It was a question of economics.
“At first we don’t think we can earn money from this. If you want to make money you have to wait two or three years. So what we are aiming for at first is to build a readership.
“I think in two or three years, living standards will improve. People will have more money to spend on things like magazines. But we don’t want to wait for people to get enough money. We want to be the first, so people will develop an interest.
“There will be competition. Nowadays a lot of business-people understand the importance of the media. I welcome competition. It’ll make us work harder. It’s good for everybody.”
“Culture is not a luxury … Culture is the spiritual backbone of society”: with these words Jan Kees van de Werk, the Dutch poet and long-standing advocate of African literature, summed up the importance of culture to Africa’s development. Two trends could significantly alter the prospects for African writers in 2007: the new wave of African bloggers and websites that are now emerging, and the increasing awareness of African literature. More traditional writing is now being joined in 2007 by a surge in African blogging. As internet access has increased, and awareness of free blogging websites like WordPress has also shot up, Africans are jumping online to express themselves (see also Development Challenges, March issue).
African literature is gaining an ever-greater audience through high-profile prize-winning. From veteran Nigerian writer and UNFPA Goodwill Ambassador Chinua Achebe winning this year’s Man Booker International Prize, to best-selling French language authors like Ivorian Ahmadou Kourouma (Allah is not Obliged) and Albert Memmi, winner of the French Academy’s Grand Prix de la Francophonie. They are joined by many others gaining international acclaim, including Uganda’s Monica Arac de Nyeko – winner of the prestigious Caine Prize for African Writing – Nigeria’s Chris Abani (Graceland), Cameroon’s Calixthe Beyala (Lost Honor), Congolese writer Daiel Biyaoula (Alley Without Exit) and Mauritius’s Carl de Souza. The Salon International du Livre et de la Presse de Geneva has established the Ahmadou Kourouma Prize, and the new Book Show for African Literature, Press and Culture is scheduled for 2008.
Increasingly, the creative industries are gaining respect as a key part of a vibrant economy. The power of a successful author or musician to generate awareness and excitement about a country and its products, has gained the respect of many governments. And they are also learning to respect the wealth that can be generated. For example, in Britain the creative industries earn almost as much as the powerful financial sector (Work Foundation). The World Bank’s private sector arm, the International Finance Corporation, has singled out Africa’s creative sector for its future investment.
Blogger Titilayo Soremi in Abuja, Nigeria, is typical of the new wave. A business development officer for an NGO, her blog is a vivid snapshot of life in her country. Obed Sarpongin Accra, Ghana is a budding poet and does not shy away from thorny issues. In his current blog, he tackles domestic politics and writes about the on-again, off-again electricity supply. The secretive Kenyan banker known by the name Bankelele is a lover of new ideas judging by his blog. The content is a mix of financial tip-offs and upcoming business investment opportunities in the region, all stirred up with some rather frank thoughts on politics. He has also gone the extra mile and acquired sponsors for his blog (that banking experience is not going to waste).
“So, the ‘Long Tail’ principle goes, we are now looking at a technology that can service the needs not of dozens of markets of millions, but millions of markets of dozens. This has great significance for the small publisher, whether that publisher is in a large publishing nation or in a country where publishing is a smaller scale activity.”
It looks as if getting creative is not only fun, it can be the next goldmine for Africa’s entrepreneurs.
Kwani is a lively Kenyan journal of new and young writers. They also organize regular readings and events in Nairobi.